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Fela Kuti Fela is a man of contradictions. That's why he's so intriguing. People who love him can forgive his bad sides. His songs often run for 20 minutes or more, and are sung in dense, almost unintelligible Pidgin English. His music is inspired by Christian hymns and classical music, jazz, Yoruba music, chant, and horn-and-guitar heavy highlife. fela case settlements was a musician Fela Kuti embodied that music can be a tool to influence the world. His music was used to advocate for social, political and economic changes. His influence can be evident even today. His musical style, Afrobeat, is a synthesis of African and Western influences. Its roots are in West-African and funk. However, it has evolved into a brand new genre. His political activism was ferocious and unflinching. He made use of his music to protest against government corruption and human rights violations. Songs like “Zombie”, “Coffin for the State Head” and others were blatant critiques of Nigeria's regime. He also made use of Kalakuta as a venue to connect with like-minded individuals and to promote political activism. The production includes a massive portrait of his late mother Funmilayo ransome-Kuti. She was a prominent feminist and activist. Shantel Cribbs plays her, and she does a fantastic job of capturing the importance she played in Fela's life. The play also explores her political activism. Despite her deteriorating health, she refused to get checked for AIDS and instead opted for traditional treatment. He was a singer Fela Ransome Kuti was a complex individual who utilized music to bring about political change. He is credited with being the creator of afrobeat, an invigorating hybrid of funk and traditional African rhythms. He was also a constant critic of Nigeria's political and religious leaders. Having been raised by an anti-colonial feminist mother, it is no surprise that Fela was a fan of politics and social commentary. His parents had hoped that he would become a doctor however, he had other plans. While he began in a more political highlife vein, a trip to America would change his outlook forever. The music he composed was greatly influenced by his exposure to Black Power movements and the leadership like Eldridge Clever and Malcolm X. He adopted a Pan-Africanism philosophy, which would inform and guide his later work. He was a writer While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. The experience inspired him to start an activist movement known as the Movement of the People, and to compose songs that reflected his views about black activism and political consciousness. His philosophical ideas were aired through the medium of yabis, a form of public speaking which was referred to as 'freedom of expression'. He also began imposing an ethical code of conduct on his band. This included refusing to accept medication from Western-trained medical professionals. Fela returned to Nigeria and started building his own club in Ikeja. Raids from police and military officials were almost constant. The Mosholashi-Idi Oro hangers-on who he had re the area around the club with hard drugs, including the 'yamuna' and 'bana' (heroin). Fela maintained his integrity in spite of this. His music is a testimony to his determination in challenging authority and demanding that popular ambitions are manifested in official goals. It is an amazing legacy that will last for generations to come. He was a poet In his music, Fela used light-hearted sarcasm to draw attention to political and economic issues in Nigeria. He also ridiculed his audience, the government, and himself. In these shows, he referred to himself as “the big dick in the pond with a little.” These jokes were not taken lightly by the authorities and he was repeatedly detained and imprisonments, as well as beatings at the hands of authorities. He eventually renamed himself Anikulapo, meaning “he is carrying death in his bag.” In 1977, Fela released a song called “Zombie” in which he contrasted soldiers with brainless zombies that followed orders without any question. The military was offended by the song, which raided the Kalakuta Republic, burning it down and beating its inhabitants. During the raid, Fela’s mother was thrown out of her second-floor window. Fela developed Afrobeat during the years that after Nigeria's independence. Afrobeat is a music genre that blends jazz with the indigenous African rhythm. His songs criticised European cultural imperialism and defended traditional African beliefs and cultures. He also criticised fellow Africans for ignoring their country's traditions. He also stressed the importance of freedom and human rights. He was a rapper A trumpeter, saxophonist, composer, and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up with jazz and rock and roll, as well as traditional African music and chants which helped form his unique style of music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work. Upon his return to Nigeria, Fela began using his music as a tool for political purposes. He criticized the government of his country and also argued against Western sensibilities that affected African culture. He also wrote about societal inequities and human rights violations and was frequently detained for his criticism of the military. Fela was also a fervent advocate of marijuana in Africa that is also known as “igbo”. He also held “yabis” (public discussions) at the Afrika Shrine where he would ridicule officials of the government and express his views on the freedom of expression as well as the beauty of women's bodies. Fela also had a harem of young women who danced at his shows and served as vocal backups to his vocalists. He was a dancer Fela was a master of musical fusion, combining elements from beat music and highlife to create his own distinct style. He influenced generations of African musicians and was a vocal critic of colonial rule. Fela refused, despite being interrogated and detained by the Nigerian military junta as having witnessed the murder of his mother. He died from complications due to AIDS in 1997. Fela was a political activist who was a critic of the oppressive Nigerian government and believed in the principles of Pan Africanism. His albums, including 1973's Gentleman focused on addressing oppression from both colonial and government parties. He also pushed for black power and criticized Christianity and Islam as non-African imports that have been used to divide the people of Africa. The title track on an album released in 1978, Shuffering and Shmiling, describes the over-crowded public buses filled with poor workers “shuffering and smiling.” Fela was a strong opponent of hypocrisy in religion. The dancers of Fela were a great complement to his music. They were vivacious, sensual, and regal. Their contributions to the performance were as significant as the words of Fela. He was a political activist Fela Kuti was an activist who used music to challenge oppressive authority. He made use of his knowledge of American jazz and funk to African patterns and rhythms, creating an edgy sound that was prepared for battle. Most of his songs begin with slow-burning instrumentals, then adding small riffs and melodies until they explode with a ferocious vigor. Contrary to the majority of artists, who were afraid to speak out about their politics, Fela was fearless and unbending. He stood in the cause he believed in, even when it was risky. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was a protestant minister and president of the teachers' union. He also founded Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government raided Kalakuta Republic and destroyed property, as well as injured Fela. He refused to give up and continued to speak against the government. He passed away from complications of AIDS in 1997. His son Femi continues to carry on his political and musical legacy. He was a father Music is often seen as a political act, with artists using lyrics to call for change. However, some of the most powerful music-related protests do not use words at all. Fela Kuti was one such artist, and his music continues to ring out today. He was the founder of Afrobeat music, which combines traditional African rhythms and harmonies with jazz and hip-hop and was being influenced by artists like James Brown. Fela's mother, Funmilayo Ransome-Kuti, was an activist and unionist who stood up against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed Nigeria should serve its all citizens. Fela's son Seun is continuing his father's work, with a band called Egypt 80 that's touring the world this year. The band's music is a blend of the sounds and political stances of Fela's day with a searing denunciation of the same power structures that are still in place in the present. The new album, Black Times, will be released in March. Thousands of fans attended the funeral and paid their tributes at Tafawa Balewa Square. The crowd was so huge that police were forced to shut off the entrance to the location.